12 Underrated Guitar Solos from the ’70s That Only Guitar Players Talk About

The 1970s produced many famous guitar solos, but some exceptional ones didn’t get the recognition they deserved. These solos might not be widely known, but they showcase impressive skill and creativity. Guitar enthusiasts often discuss these hidden gems, appreciating their unique contributions to music. Here’s a list of twelve underrated guitar solos from the ’70s that highlight the talent of their players.

1. “Blue Collar” – Bachman-Turner Overdrive (1973)

Randy Bachman’s solo in “Blue Collar” blends jazz and blues influences, creating a smooth and expressive sound. The solo demonstrates his ability to craft melodies that complement the song’s laid-back rhythm.

While BTO is known for their hard rock hits, this track stands out for its subtlety and musical depth. The guitar work doesn’t rely on speed but focuses on tone and phrasing, making it a favorite among guitarists who appreciate nuanced playing.

2. “On the Hunt” – Lynyrd Skynyrd (1975)

“On the Hunt” features a guitar solo that emphasizes feel over flash. The solo uses well-placed bends and slides to enhance the song’s groove, showcasing the band’s Southern rock roots.

Though not as famous as “Free Bird,” this track highlights the band’s ability to create engaging guitar parts that serve the song. The solo’s restraint and tastefulness have earned it respect among musicians who value expressive playing.

3. “Eruption” – Focus (1971)

Jan Akkerman’s work on “Eruption” displays a fusion of classical and rock elements. The solo transitions through various themes, demonstrating his versatility and command of the instrument.

The piece’s structure allows Akkerman to explore different moods, from gentle passages to more intense sections. His ability to weave these elements together makes “Eruption” a standout track for those interested in complex guitar compositions.

4. “We’ll Burn the Sky” – Scorpions (1978)

Uli Jon Roth’s solo in “We’ll Burn the Sky” is noted for its emotional depth and melodic development. He builds the solo gradually, using vibrato and note choice to convey feeling.

Rather than showcasing technical prowess, Roth focuses on creating a solo that enhances the song’s atmosphere. This approach has made the track a hidden treasure among guitarists who appreciate expressive solos.

5. “Maggot Brain” – Funkadelic (1971)

Eddie Hazel’s extended solo in “Maggot Brain” is a masterclass in conveying emotion through guitar. The ten-minute piece relies on tone and phrasing to create a haunting soundscape.

Hazel’s use of effects like fuzz and wah adds to the solo’s intensity. The track has influenced many guitarists and is often cited as an example of how to express deep feeling through music.

6. “Cortez the Killer” – Neil Young (1975)

Neil Young’s solo in “Cortez the Killer” is characterized by its slow, deliberate phrasing. The simplicity of the notes allows for a powerful emotional impact, aligning with the song’s reflective lyrics.

The solo’s unhurried pace and use of space demonstrate Young’s understanding of how to let a solo breathe. This approach has resonated with guitarists who value mood and atmosphere over technical complexity.

7. “Lazy” – Deep Purple (1972)

Ritchie Blackmore’s solo in “Lazy” showcases his blues influences and technical skill. The track features a mix of fast runs and expressive bends, highlighting his versatility as a guitarist.

The interplay between Blackmore’s guitar and Jon Lord’s organ adds depth to the performance. The solo’s dynamic range and musicality have made it a favorite among guitar players who appreciate classic rock solos.

8. “25 or 6 to 4” – Chicago (1970)

Terry Kath’s solo in “25 or 6 to 4” is notable for its use of the wah pedal and energetic phrasing. The solo adds a rock edge to the band’s horn-driven sound, creating a memorable contrast.

Kath’s playing combines technical ability with a raw, expressive tone. His work on this track has been praised by fellow musicians and remains a highlight in Chicago’s catalog.

9. “Kid Charlemagne” – Steely Dan (1976)

Larry Carlton’s solo in “Kid Charlemagne” is a blend of jazz and rock elements. His precise note selection and smooth phrasing complement the song’s sophisticated arrangement.

The solo’s construction demonstrates Carlton’s understanding of harmony and melody. It’s often studied by guitarists interested in integrating jazz concepts into rock music.

10. “H.” – Potliquor (1973)

Les Wallace’s solo in “H.” is a hidden gem that combines Southern rock with blues influences. The solo’s tone and phrasing reflect a deep understanding of the genre’s roots.

Though Potliquor didn’t achieve widespread fame, this track stands out for its heartfelt guitar work. Wallace’s playing has been compared to that of Mick Taylor, highlighting its quality and emotional resonance.

11. “Have Mercy on the Criminal” – Elton John (1973)

Davey Johnstone’s solo in “Have Mercy on the Criminal” adds a dramatic flair to the song. His use of sustain and melodic lines enhances the track’s emotional impact.

The solo complements the orchestration, blending seamlessly with the arrangement. Johnstone’s contribution is a testament to his ability to serve the song while showcasing his guitar skills.

12. “Green-Eyed Lady” – Sugarloaf (1970)

Bob Webber’s guitar work in “Green-Eyed Lady” features a mix of jazz-influenced chords and rock riffs. The solo section stands out for its rhythmic complexity and melodic development.

The track’s fusion of styles made it a unique entry in early ’70s rock. Webber’s playing contributed to the song’s success and remains a point of interest for guitarists exploring genre-blending techniques.