15 Greatest Basslines That Defined Classic Rock Songs and Shaped the Genre

The bass guitar often plays a quiet but powerful role in rock music. While lead guitars and vocals usually grab the spotlight, it’s the bass that gives songs their depth and rhythm. In classic rock, certain basslines have become iconic, shaping the sound and feel of entire songs. These bass parts not only support the music but also stand out, making the songs memorable.

Here are 15 classic rock songs where the bassline plays a key role. Each one showcases how the bass can drive a song and leave a lasting impression.

“Rio” – Duran Duran (John Taylor)

John Taylor’s bassline in “Rio” is both energetic and melodic. It combines funk-inspired rhythms with a pop sensibility, creating a groove that propels the song forward. The bass doesn’t just support the music; it takes center stage, weaving through the melody and adding complexity to the track. Taylor’s playing showcases his skill in blending different styles to create a unique sound.

The song’s upbeat tempo and catchy bass riff helped define Duran Duran’s sound in the 1980s. Even today, “Rio” remains a standout track, with its bassline often cited as one of the most memorable in pop and rock music. Taylor’s work on this song demonstrates how a well-crafted bass part can elevate a track from good to great.

“The Chain” – Fleetwood Mac (John McVie)

John McVie’s bassline in “The Chain” is a defining moment in rock history. The song builds tension through its verses, leading to a powerful bass-driven section that has become iconic. McVie’s playing is steady and deliberate, providing a strong foundation that anchors the song’s climax. His use of space and timing adds to the track’s dramatic effect.

The bass break in “The Chain” is instantly recognizable and has been used in various media, including sports broadcasts. This section showcases how a simple yet effective bassline can become a song’s most memorable feature. McVie’s contribution to “The Chain” highlights the importance of bass in creating mood and intensity in music.

“Another One Bites the Dust” – Queen (John Deacon)

John Deacon’s bassline in “Another One Bites the Dust” is a standout example of simplicity and groove. The riff is repetitive but infectious, driving the song with a steady pulse. Deacon was inspired by disco and funk music, particularly the band Chic, and he brought that influence into this rock track. His playing blurs the lines between genres, creating a crossover hit.

The bassline’s prominence in the mix makes it the song’s central feature. It not only supports the rhythm but also serves as the main hook. “Another One Bites the Dust” became one of Queen’s biggest hits, largely due to Deacon’s memorable bass work. This track demonstrates how a strong bassline can define a song’s identity.

“Come Together” – The Beatles (Paul McCartney)

Paul McCartney’s bassline in “Come Together” is both melodic and rhythmic. He uses a smooth, flowing style that complements the song’s laid-back groove. The bass interacts closely with the drums, creating a tight rhythm section that underpins the track. McCartney’s approach adds depth and character to the song.

The bassline also incorporates subtle variations and fills, keeping the listener engaged throughout. McCartney’s ability to craft bass parts that are both supportive and interesting is evident here. “Come Together” showcases how the bass can enhance a song’s feel and contribute to its overall mood.

“Orion” – Metallica (Cliff Burton)

Cliff Burton’s bass work in “Orion” is a showcase of his technical skill and creativity. The instrumental track features multiple sections where the bass takes the lead, including melodic solos and harmonized parts. Burton uses effects and techniques that were uncommon for bassists at the time, pushing the boundaries of the instrument’s role in metal music.

His playing adds a sense of dynamics and emotion to the song, contrasting heavy riffs with more delicate passages. “Orion” stands as a testament to Burton’s influence on Metallica’s sound and the potential of the bass guitar in rock music. His contributions helped redefine what bassists could achieve within the genre.

“Under Pressure” – Queen & David Bowie (John Deacon)

The bassline in “Under Pressure” is one of the most recognizable in rock music. John Deacon crafted a simple yet effective riff that serves as the song’s foundation. The repeating pattern provides a steady groove that supports the vocals and other instruments. Its simplicity allows the rest of the song to build around it without becoming cluttered.

This bassline has been widely sampled and covered, demonstrating its lasting impact. Deacon’s ability to create a memorable part with minimal notes showcases his understanding of musical space and rhythm. “Under Pressure” highlights how a well-placed bassline can become the defining element of a song.

“La Villa Strangiato” – Rush (Geddy Lee)

Geddy Lee’s performance in “La Villa Strangiato” is a display of technical prowess and musicality. The instrumental track features complex time signatures and rapid changes, requiring precise playing. Lee navigates these challenges with ease, delivering intricate bass lines that complement the guitar and drums. His use of counter-melodies and rhythmic variations adds depth to the composition.

The song allows Lee to showcase his range as a bassist, moving between supportive grooves and lead-like passages. His playing in “La Villa Strangiato” exemplifies the role of the bass as both a rhythmic and melodic instrument in progressive rock. This track remains a benchmark for aspiring bassists.

“Sunshine of Your Love” – Cream (Jack Bruce)

Jack Bruce’s bassline in “Sunshine of Your Love” is a central element of the song’s identity. The riff is heavy and bluesy, providing a strong foundation for the guitar and vocals. Bruce’s playing is assertive, driving the song forward with a steady rhythm. His tone and phrasing add to the track’s distinctive sound.

The bassline’s simplicity makes it accessible, yet its groove and feel are hard to replicate. Bruce’s contribution to “Sunshine of Your Love” demonstrates how a well-crafted bass part can become the heart of a song. His work on this track has influenced countless musicians in rock and blues genres.

“Money” – Pink Floyd (Roger Waters)

Roger Waters’ bassline in “Money” is notable for its use of an unusual 7/4 time signature. The riff creates a sense of tension and movement, aligning with the song’s themes. Waters’ playing is precise, maintaining the groove while navigating the complex rhythm. His approach adds a unique character to the track.

The bassline also serves as a unifying element, tying together the song’s various sections. Waters’ work in “Money” showcases how the bass can contribute to a song’s structure and feel, especially when experimenting with unconventional rhythms. This track remains a standout example of innovative bass playing in rock music.

“Good Times” – Chic (Bernard Edwards)

Bernard Edwards’ bassline in “Good Times” is a masterclass in groove and rhythm. The riff is tight and funky, driving the song with a steady pulse. Edwards’ playing is both precise and fluid, creating a danceable foundation that has influenced many artists. His work on this track helped bridge the gap between disco and rock.

The bassline’s impact extends beyond the song itself, as it has been sampled in numerous other tracks. Edwards’ contribution to “Good Times” highlights the bass guitar’s role in shaping a song’s groove and feel. His playing continues to inspire musicians across genres.

“Ramble On” – Led Zeppelin (John Paul Jones)

John Paul Jones’ bassline in “Ramble On” showcases his ability to blend melody and rhythm. The part is smooth and flowing, complementing the song’s acoustic guitar and vocals. Jones’ playing adds depth to the track, providing a subtle yet essential layer. His approach demonstrates the bass’s role in enhancing a song’s texture.

The bassline also features tasteful fills and variations, keeping the listener engaged.

“My Generation” – The Who (John Entwistle)

John Entwistle’s bassline in “My Generation” is a standout feature of the song. He delivers one of the earliest bass solos in rock, using fast triplets and bent notes to create a dynamic sound. Entwistle’s playing adds energy and drive, making the bass a central element rather than just background support. His innovative approach helped set a new standard for bassists in rock music.

The song’s structure allows the bass to shine, especially during the instrumental breaks. Entwistle’s technique and creativity on this track have influenced many bass players since its release. “My Generation” remains a key example of how the bass can lead and shape a song’s character.

“Roundabout” – Yes (Chris Squire)

Chris Squire’s bassline in “Roundabout” is both complex and melodic. He uses a Rickenbacker bass with a unique setup, including stereo outputs and overdubbing techniques, to achieve a distinctive tone. Squire’s playing features fast sixteenth notes and intricate rhythms that drive the song forward. His approach adds depth and texture, making the bass an integral part of the song’s identity.

The bassline interacts closely with the other instruments, creating a rich and layered sound. Squire’s innovative techniques and musicality on “Roundabout” have made it a benchmark for progressive rock bass playing. His work continues to inspire bassists seeking to push the boundaries of their instrument.

“Freewill” – Rush (Geddy Lee)

Geddy Lee’s bassline in “Freewill” showcases his technical skill and creativity. The song features complex time signatures and syncopated rhythms, requiring precise playing. Lee’s bass parts are both supportive and melodic, often intertwining with the guitar and drums to create a cohesive sound. His use of odd time signatures adds a unique character to the track.

The bass solo in “Freewill” is particularly notable, featuring rapid runs and intricate patterns. Lee’s performance on this song exemplifies the bass’s potential to be both a rhythmic foundation and a lead instrument. His work on “Freewill” remains a high point in progressive rock bass playing.

“YYZ” – Rush (Geddy Lee)

“YYZ” is an instrumental track that highlights Geddy Lee’s exceptional bass playing. The song opens with a rhythm based on Morse code for the letters “YYZ,” representing Toronto’s airport code. Lee’s bassline is complex and driving, featuring fast-paced riffs and intricate rhythms. His playing provides both the foundation and a melodic voice throughout the track.

The interplay between bass, guitar, and drums in “YYZ” demonstrates the band’s tight musicianship. Lee’s performance is a masterclass in combining technical proficiency with musical expression. “YYZ” continues to be celebrated as a standout example of instrumental rock, with the bassline playing a central role in its success.