6 Rock Bands That Successfully Shifted to Pop, and We Hated Them for It

6 Rock Bands That Successfully Shifted to Pop, and We Hated Them for It | Society Of Rock Videos

via Boston / YouTube

Classic rock bands often evolve their sound to stay relevant, but not all changes are welcomed by fans. Here are six instances where bands shifted towards pop music, leading to mixed reactions from their audiences.​

1. Steve Miller Band – “Abracadabra” (1982)

In 1982, the Steve Miller Band released “Abracadabra,” marking a significant shift from their blues-rock roots to a more pop-oriented sound. The song featured synthesizers and electronic elements, differing from their earlier work. Despite initial skepticism from Capitol Records, the track became a commercial success, reaching number one on the Billboard Hot 100. However, some longtime fans felt the band had strayed too far from their original style.​

The success of “Abracadabra” revitalized the band’s career, but it also highlighted the challenges artists face when changing their musical direction. While the song appealed to a broader audience, it left some original fans longing for the band’s earlier sound. The shift demonstrated the fine line between innovation and alienation in the music industry. ​

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2. Boston – “Amanda” (1986)

After a hiatus, Boston returned with “Amanda” in 1986, a soft rock ballad that marked a departure from their hard rock beginnings. The song became their first and only number one hit on the Billboard Hot 100, showcasing a more polished and radio-friendly sound. While it introduced the band to a new generation of listeners, some longtime fans missed the energy of their earlier work.​

The change in style reflected the evolving music landscape of the 1980s, where softer rock ballads gained popularity. Boston’s adaptation to this trend brought commercial success but also sparked debates among fans about the band’s musical direction. ​

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3. Starship – “We Built This City” (1985)

Originally known as Jefferson Airplane, the band underwent several transformations before becoming Starship. In 1985, they released “We Built This City,” a synth-pop track that diverged significantly from their psychedelic rock origins. The song achieved commercial success, reaching number one on the Billboard Hot 100. However, it was heavily criticized for its lyrics and departure from the band’s original sound.​

Despite its popularity, “We Built This City” has been labeled as one of the worst songs of all time by various critics. The drastic change in musical style alienated many longtime fans, illustrating the risks associated with rebranding and shifting genres.​

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4. Genesis – “Invisible Touch” (1986)

Genesis transitioned from progressive rock to a more pop-oriented sound in the 1980s, culminating in the release of “Invisible Touch.” The song became their first and only number one hit in the United States, showcasing catchy melodies and a polished production. While it expanded their fan base, some early followers felt disconnected from the band’s new direction.​

The success of “Invisible Touch” highlighted the band’s ability to adapt to changing musical trends. However, it also sparked discussions about the balance between artistic integrity and commercial appeal, a common challenge for evolving bands.​

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5. Heart – “These Dreams” (1986)

Heart, known for their hard rock sound in the 1970s, embraced a softer, pop-rock style in the mid-1980s. “These Dreams,” released in 1986, became their first number one hit on the Billboard Hot 100. The ballad featured a more polished and mainstream sound, differing from their earlier, edgier music.​

While the song brought Heart significant commercial success, it also marked a turning point that divided their fan base. Some appreciated the band’s versatility, while others missed the raw energy of their previous work.​

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6. Chicago – “Hard to Say I’m Sorry” (1982)

Chicago shifted from their jazz-rock roots to a softer pop sound in the 1980s, exemplified by “Hard to Say I’m Sorry.” The 1982 ballad reached number one on the Billboard Hot 100, signaling a new era for the band. The song’s success introduced Chicago to a broader audience but also led to criticism from fans who preferred their earlier style.​

The transition to pop ballads helped sustain the band’s commercial viability but at the cost of alienating some longtime supporters. Chicago’s evolution reflects the broader trend of rock bands adapting to the changing musical landscape of the 1980s.​

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