Joni Mitchell’s Unapologetic Artistry Shines in Unheard Music Box Set

Joni Mitchell Archives — Volume 3: The Asylum Years (1972-1975) takes us on a mesmerizing journey through a pivotal era in Joni Mitchell’s illustrious career. This musical treasure trove offers a rare glimpse into live performances and studio sessions from a time when Mitchell was pushing boundaries and redefining the singer-songwriter landscape.

Kicking off with a breathtaking live show from Carnegie Hall in 1971, Mitchell captivates with her impeccable vocals and masterful instrumentation.

Songs like “Woodstock,” “Both Sides Now,” and “Big Yellow Taxi” resonate as timeless classics, while “Carey” unveils a personal backstory, providing fans with a deeper connection to the music.

As the collection progresses, we witness Mitchell’s evolution on albums like ‘For the Roses,’ ‘Court and Spark,’ and ‘The Hissing of Summer Lawns.’ Here, she delves into introspective and character-driven compositions, expanding her musical horizons with the incorporation of jazz and fusion elements. It’s a testament to her audacious spirit, challenging the conventions of her time.

A highlight of the set is the behind-the-scenes look at the creation of ‘Court and Spark,’ an album that effortlessly marries adult pop with emotional depth. Mitchell’s solo piano renditions of “Down to You,” “Court and Spark,” and “Car on a Hill” offer a raw intimacy, showcasing the genesis of these heartfelt songs. Collaborations with talented musicians like Tom Scott, John Guerin, and Max Bennett add new dimensions, transforming these pieces into the iconic tracks we know today.

“Raised on Robbery,” a spirited romp, undergoes a fascinating metamorphosis.

From Mitchell’s solo rendition to experimental versions with Neil Young, we witness the evolution of a song that embodies Mitchell’s boundless creativity.

The live recording from Los Angeles during the ‘Court and Spark’ tour introduces us to a new facet of Mitchell’s artistry. With a full band in tow, including the L.A. Express, the synergy between Mitchell and her ensemble is palpable. Songs like “Free Man in Paris” and “Just Like This Train” are rendered with a studio-like precision, offering a fresh perspective on familiar tunes.

The collection also features delightful ephemera, including a spirited cover session with James Taylor.

Mitchell’s instrumental prowess shines in early demos, revealing the foundation upon which her iconic sound was built.

‘The Hissing of Summer Lawns’ remains a bold and enigmatic record, showcasing Mitchell’s storytelling prowess. Whether in solo tapes or early studio versions, the complex narratives and intricate melodies remain a testament to her uncompromising vision.

The set concludes with a revelation: an early version of “Dreamland.” This haunting narrative about American imperialism and the slave trade evolves into a more exotic and cinematic rendition on ‘Don Juan’s Reckless Daughter.’ It’s a testament to Mitchell’s artistic autonomy, using her commercial success to shape her music in ways that defy convention.

In essence, ‘Archives — Volume 3’ showcased Joni Mitchell’s unapologetic artistry. She didn’t simply follow trends; she forged her own path, leaving an indelible mark on music across genres. Mitchell’s legacy as a trailblazing artist continues to resonate, reminding us of the boundless possibilities when true creativity knows no bounds.