5 Classic Rock Artists Who Tried Country and Failed

Several renowned classic rock artists have ventured into country music, aiming to explore new musical landscapes. However, not all attempts resonated with fans or critics. Here are five notable instances where rock musicians crossed into country territory with less-than-stellar results.​

Van Morrison’s ‘Pay the Devil’

In 2006, Van Morrison released Pay the Devil, blending three original songs with twelve country and western covers. Despite his soulful voice, the album received mixed reviews. Critics felt Morrison’s renditions lacked the authenticity and passion found in traditional country music. While Pay the Devil debuted at No. 26 on the Billboard 200 and reached No. 7 on the Top Country Albums chart, it didn’t leave a lasting impact in the country genre. Morrison’s attempt highlighted the challenges rock artists face when transitioning to country, as the stylistic differences can be significant. ​

Elvis Costello’s ‘Almost Blue’

Elvis Costello took a bold step in 1981 with Almost Blue, an album entirely composed of country covers. This departure from his new-wave roots surprised many fans. The album’s liner notes even included a warning about its country content, anticipating varied reactions. Critics were divided; some appreciated Costello’s exploration, while others felt his interpretations lacked the depth and authenticity of the originals. Despite its commercial performance, Almost Blue is often viewed as a misstep in Costello’s otherwise celebrated career. ​

Bon Jovi’s ‘Lost Highway’

In 2007, Bon Jovi released Lost Highway, aiming to infuse their rock sound with country elements. The album featured collaborations with country artists and was recorded in Nashville, signaling a clear intent to tap into the country market. While the album achieved commercial success, reaching No. 1 on the Billboard 200, it received criticism from both rock and country purists. Fans felt the band was attempting to capitalize on country trends rather than delivering a genuine fusion of styles. This venture into country is often seen as a departure that didn’t align with Bon Jovi’s established musical identity. ​

Bob Dylan’s ‘Self Portrait’

Bob Dylan’s 1970 album Self Portrait showcased his foray into various genres, including country. The double album featured a mix of original songs and covers, with a noticeable country influence. Upon release, it was met with harsh criticism; critics and fans were puzzled by its eclectic nature and perceived lack of focus. Over time, some have re-evaluated the album more favorably, but at the time, it was considered a low point in Dylan’s discography. His attempt to blend country with his folk-rock roots didn’t resonate as intended.

Steven Tyler’s ‘We’re All Somebody from Somewhere’

Aerosmith’s frontman, Steven Tyler, ventured into country music with his 2016 solo album We’re All Somebody from Somewhere. The project aimed to merge his rock background with country influences. Despite Tyler’s enthusiasm, the album received mixed reviews. Critics pointed out that the production felt over-polished and lacked the rawness associated with authentic country music. Fans of Aerosmith found the departure from his rock roots unconvincing, and country audiences were skeptical of his sudden shift in genre. This endeavor highlighted the difficulties rock artists face when attempting to establish credibility in the country music scene. ​