9 Fleetwood Mac Songs That Are Too Long You Didn’t Know About

Fleetwood Mac is known for their timeless music, but some of their songs are longer than most people realize. These tracks often go beyond the typical radio-friendly length, offering extended musical sections and deeper storytelling. Below are nine songs that showcase the band’s willingness to explore and expand their sound.

1. “Sara” (6:22)

“Sara,” written by Stevie Nicks, was released in 1979 on the album Tusk. The original version runs for 6 minutes and 22 seconds, but an earlier demo was reportedly 16 minutes long. Nicks developed the lyrics and melody while doing ballet with a Russian teacher in a mirrored room with Jean-Michel Jarre’s Oxygène playing in the background.

The song’s length and structure made it stand out, and it was later edited for single release. Despite its length, “Sara” became a fan favorite and reached No. 7 on the US charts.

2. “Silver Springs” (5:41)

Originally intended for the 1977 album Rumours, “Silver Springs” was written by Stevie Nicks but was excluded due to its length and tempo. The song was later released as a B-side to “Go Your Own Way” and gained popularity over time.

In 1997, a live version was released on the album The Dance, running for 5 minutes and 41 seconds. This version received critical acclaim and was nominated for a Grammy Award.

3. “I’m So Afraid” (7:46)

Featured on the 1975 self-titled album Fleetwood Mac, “I’m So Afraid” is a track that showcases Lindsey Buckingham’s guitar work. The song has a runtime of 7 minutes and 46 seconds, making it one of the band’s longer studio recordings.

The extended length allows for intricate guitar solos and a build-up that adds to the song’s intensity. It has become a staple in the band’s live performances, often featuring extended instrumental sections.

4. “Future Games” (8:20)

“Future Games,” the title track from the 1971 album, was the first song recorded with guitarist Bob Welch. The song runs over 8 minutes and features a blend of guitar work between Welch and Danny Kirwan.

The song’s length and experimental sound marked a new direction for the band during that period. It received airplay on FM radio stations and was performed live during Welch’s tenure with the band.

5. “Gold Dust Woman” (9:32 – Live Version)

While the studio version of “Gold Dust Woman” from the 1977 album Rumours runs for approximately 5 minutes, live versions often extend much longer. A notable live performance stretches the song to 9 minutes and 32 seconds.

These extended live renditions allow the band to explore the song’s themes more deeply, often featuring improvisational sections and dramatic interpretations by Stevie Nicks.

6. “Crystal” (7:40)

“Crystal” was originally recorded by Stevie Nicks and Lindsey Buckingham for their 1973 album Buckingham Nicks. It was later re-recorded by Fleetwood Mac for their 1975 self-titled album, with a runtime of 7 minutes and 40 seconds.

The song’s length allows for a more atmospheric and introspective feel, showcasing the band’s softer side and harmonies between Nicks and Buckingham.

7. “World Turning” (4:25)

“World Turning,” from the 1975 album Fleetwood Mac, is a collaboration between Christine McVie and Lindsey Buckingham. The song has a runtime of 4 minutes and 25 seconds and features a blend of blues and country rock influences.

Its length provides space for instrumental interplay and showcases the band’s ability to fuse different musical styles into a cohesive track.

8. “Storms” (5:25)

“Storms,” from the 1979 album Tusk, is a Stevie Nicks composition that runs for 5 minutes and 25 seconds. The song’s extended length allows for a slow build and emotional depth, reflecting on themes of love and loss.

Its sparse arrangement and haunting lyrics make it a standout track that benefits from its longer runtime, giving listeners time to absorb its emotional weight.

9. “Sisters of the Moon” (4:44)

Also from the Tusk album, “Sisters of the Moon” is a track that blends rock elements with mystical lyrics. The song runs for 4 minutes and 44 seconds, featuring extended guitar solos and a driving rhythm.
SortMusic.com

Its length allows the band to delve into a more experimental sound, with Stevie Nicks delivering one of her most intense vocal performances.