9 Times a Band’s Worst Album That Almost Ended Their Career

via DJ Gerry from Starlight Music / YouTube
Throughout rock history, several bands have released albums that were poorly received, threatening their careers. Here are nine notable examples.
Bob Dylan – Self Portrait
In 1970, Bob Dylan released Self Portrait, a double album that puzzled fans and critics alike. The album consisted mainly of covers and traditional songs, leading many to question Dylan’s artistic direction. Critics were harsh; one famously began his review with, “What is this shit?” The negative reception was so strong that it prompted Dylan to quickly release New Morning later that year, which was better received.
Lou Reed – Metal Machine Music
Lou Reed’s 1975 album, Metal Machine Music, is infamous for its experimental nature. Consisting of over an hour of guitar feedback and noise, the album lacked traditional song structures. Fans expecting Reed’s usual rock style were baffled, and critics panned the release. Some viewed it as a contractual obligation rather than a genuine artistic effort. The backlash was severe, but Reed’s career survived as he returned to more conventional music in subsequent albums.
Black Sabbath – Forbidden
Released in 1995, Forbidden is often cited as Black Sabbath’s weakest album. The band attempted to modernize their sound by incorporating elements of rap and hiring Body Count’s Ernie C. as producer. The result was a disjointed album that failed to resonate with fans or critics. The poor reception contributed to the band’s decision to reunite with original vocalist Ozzy Osbourne shortly after, leaving Forbidden as a low point in their discography.
Metallica – St. Anger
In 2003, Metallica released St. Anger, an album that marked a significant departure from their previous work. The record featured raw production, the absence of guitar solos, and a snare drum sound that many found grating. While the band aimed for a back-to-basics approach, the album was met with mixed reviews and alienated some long-time fans. Despite this, Metallica managed to rebound with later releases that were better received.
Guns N’ Roses – Chinese Democracy
Chinese Democracy, released in 2008, was Guns N’ Roses’ first album of original material since 1991. The album’s production spanned over a decade, with numerous lineup changes and escalating costs. When it finally arrived, the album received mixed reviews, with some praising its ambition and others criticizing its lack of cohesion. The lengthy delay and lukewarm reception led many to question the band’s future, but they have since regained popularity through successful tours.
U2 – Songs of Innocence
In 2014, U2 released Songs of Innocence by automatically adding it to all iTunes users’ libraries without consent. This marketing move backfired, leading to widespread criticism over digital privacy and the presumption of forcing music onto listeners. The controversy overshadowed the album’s content, resulting in a public relations debacle. While U2’s reputation took a hit, they continued to release music and tour successfully.
Kiss – Music from “The Elder”
Kiss’s 1981 album, Music from “The Elder”, was a concept album intended to showcase the band’s artistic growth. However, the album’s departure from their signature hard rock sound confused fans and critics. The lack of commercial success led to internal tensions and lineup changes. The band soon returned to their original style, distancing themselves from this experimental endeavor.
The Rolling Stones – Their Satanic Majesties Request
In 1967, The Rolling Stones released Their Satanic Majesties Request, an album heavily influenced by the psychedelic trend of the time. The album’s experimental approach was seen as an attempt to emulate The Beatles’ Sgt. Pepper’s Lonely Hearts Club Band. However, it lacked the cohesion and critical acclaim of its counterpart. The mixed reception prompted the Stones to return to their blues roots in subsequent albums, reaffirming their identity.
Van Halen – Van Halen III
Released in 1998, Van Halen III was the band’s first and only album with lead vocalist Gary Cherone. The album marked a stylistic shift, featuring longer songs and a darker tone. Fans and critics were largely unimpressed, leading to poor sales and the eventual departure of Cherone. The album’s failure stalled the band’s momentum, resulting in a hiatus before reuniting with previous vocalists.