7 Intriguing Covers by David Bowie You Didn’t Know Existed

David Bowie, a name synonymous with musical innovation, often blurred the lines between genres with his eclectic style. A master of reinvention, Bowie not only gifted the world with original hits but also lent his unique voice to cover songs by other artists, transforming them entirely. From rock legends to indie icons, Bowie’s covers are a deep dive into his wide-ranging musical influences. Here are seven standout covers by David Bowie that you might not have known existed.

‘I’ve Been Waiting For You’ – Neil Young

When it comes to unexpected collaborations, David Bowie’s cover of Neil Young’s ‘I’ve Been Waiting For You’ is a standout. Young, known for his influence in folk and rock, might not seem like an obvious choice for Bowie, yet the cover shines brightly in Bowie’s discography. Released on Bowie’s “Heathen” album, this track is reimagined with a rock twist that elevates it to new heights. Bowie’s ethereal voice adds a new dimension to the song, pushing it into a realm that feels both fresh and familiar. This cover shows Bowie’s ability to cross genre boundaries with ease, turning a classic Neil Young song into a rock anthem.

‘Almost Grown’ – Chuck Berry

Chuck Berry’s ‘Almost Grown’ is a rock and roll treasure, and David Bowie’s rendition adds a sparkling layer of glam to this classic. Performed during a BBC session for the famed DJ John Peel, Bowie’s cover is both a tribute and a reinvention. Including a local singer from his own neighborhood gave the performance a community feel that resonated with listeners. Bowie’s version is electrifying, showcasing his capability to not just cover a song but to infuse it with his own unique flair, transforming Berry’s rock and roll into a glitzy Bowie number.

‘Try Some, Buy Some’ – George Harrison

Turning his sights on George Harrison’s ‘Try Some, Buy Some’, Bowie unearthed a somewhat overlooked masterpiece. The song, originally penned by Harrison and performed by Ronnie Spector, was featured on Bowie’s 2003 album “Reality.” Bowie’s version brought new life to the track, with his interpretation revealing a personal connection to its lyrics about change and moving forward. It’s a shining example of Bowie’s skill in picking deep tracks and making them his own, all while paying homage to their original creators.

‘Debaser’ – Pixies

Bowie’s admiration for the Pixies led him to cover ‘Debaser’, a song that marked a pivotal moment in indie rock history. Using the band Tin Machine as a vehicle, Bowie’s live version captures the raw energy and spirit of the original. His rendition is a nod to the Pixies’ influence on his work, illustrating Bowie’s appreciation for the band’s genius. This cover is a bridge between generations, showing Bowie’s respect for the bands that followed in his footsteps.

‘Like A Rolling Stone’ – Bob Dylan

Bob Dylan’s ‘Like A Rolling Stone’ is an anthem of change, a song that reshaped rock music. David Bowie’s foray into this Dylan classic was part of Mick Ronson’s final solo record. Bowie’s take is a respectful nod to Dylan, infused with his own distinctive style. While not aiming to outshine Dylan’s original, Bowie’s version adds a different texture, showcasing his vocal range and his ability to interpret the work of another legendary artist.

‘See Emily Play’ – Pink Floyd

Covering Pink Floyd’s ‘See Emily Play’, David Bowie paid homage to one of his early influences, Syd Barrett. Featured on his album “Pinups,” Bowie’s version of this psychedelic classic is both a tribute and a personal reflection of his appreciation for Barrett’s artistry. His cover dives deep into the song’s whimsical essence, capturing the spirit of the original while adding a dash of Bowie’s signature style. It’s a heartfelt nod to Barrett and the impact he had on Bowie’s own musical journey.

‘It’s Hard To Be A Saint in the City’ – Bruce Springsteen

David Bowie and Bruce Springsteen might occupy different musical worlds, but Bowie’s cover of ‘It’s Hard To Be A Saint in the City’ bridges that gap beautifully. Initially drawn to the song’s narrative and energy, Bowie’s version is a testament to his versatility as an artist. His rendition adds a layer of polish to Springsteen’s raw original, showcasing Bowie’s ability to interpret songs through his unique lens. This cover is a blend of Bowie’s glam rock sensibilities with Springsteen’s storytelling prowess, creating a version that stands out as a captivating piece in its own right.