10 Most Sampled Classic Rock Songs in Other Genres And Should Stop

Classic rock has always been a goldmine for hip-hop artists and producers, offering riffs, beats, and melodies that have found second lives in new songs. As the foundations of many iconic hip-hop tracks, some rock classics have been sampled so much that they have become almost synonymous with the genre. Here’s a look at ten of those tracks, whose overuse in hip-hop and other genres might make you wish they’d finally be left alone.

“Come Together” – The Beatles (1969)

“Come Together,” from The Beatles’ “Abbey Road” album, opens with a bassline and muted drums that just pull you in. Its seductive rhythm has made it a favorite for DJs and producers trying to create a certain mood. Whether the goal is to inspire feelings of suspense, relaxation, or liveliness, the song’s atmospheric qualities make it versatile. This track has been sampled in 30 songs, ranging from “Frame of Mind” by Evidence to “I’m Strung Out” by Conejo.

The extensive use of “Come Together” in hip-hop highlight its adaptability. The seamless fusion of different emotional settings from the song appeals to musicians across genres. Its enduring influence in music makes it both a blessing and a curse, leading one to consider if it’s time to hit pause on the remixes.

“I Can’t Go for That (No Can Do)” – Hall and Oates (1981)

With its catchy drums, pulsating dance beat, and high-pitched keyboards, “I Can’t Go for That (No Can Do)” by Hall and Oates has been a prime sample choice. Hip-hop architects find endless inspiration in its elements, leading to its use in 31 tracks. Songs like “Say No Go” by De La Soul and “I’ll Do Anything” by Heavy D owe part of their magic to this track.

What makes it irresistible to producers is its seamless blend of drum beats and keyboard melodies. These musical elements provide a solid foundation for creative experimentation. From smooth R&B to harder hip-hop beats, this song has found a place in many artists’ toolkits.

“Whole Lotta Love” – Led Zeppelin (1969)

“Whole Lotta Love” by Led Zeppelin is a force of nature with its deep bass, explosive guitar, and intense drumming. The song transforms into a slow-burner during the breakdown, making it highly sample-worthy. Artists like Jay Dee and Ice-T have turned to this track, resulting in 39 samples that range from gritty to explosive.

The song’s various elements, particularly Robert Plant’s intense vocals and Jimmy Page’s fiery guitar work, make it a rich source of inspiration. This track’s complex musical layers provide endless opportunities for reinterpretation, but perhaps it’s been used enough.

“Money” – Pink Floyd (1973)

Pink Floyd’s “Money,” with its unforgettable bassline and iconic cash register sound effects, seems like it was made to be sampled in hip-hop. Tracks like Puff Daddy’s “It’s All About the Benjamins” have adopted its magnetic qualities, resulting in 39 sampled versions to date.

The unique combination of music and sound effects in “Money” makes it an audio treasure chest. Despite its imaginative applications, one can’t help but wonder if we’ve tapped this resource to its fullest.

“Another One Bites the Dust” – Queen (1980)

John Deacon’s distinct bassline in Queen’s “Another One Bites the Dust” infuses the track with a sense of danger and urgency. Its precision has attracted producers, leading to 51 sampled versions, including hits like “Dead Man’s Tetris” by Flying Lotus and “Ghetto Starz” by Onyx.

From its pulsating beat to its unmistakable bassline, this song’s foundation is a magnet for creativity. However, with so many versions already out there, maybe it’s time to explore other tracks for inspiration.

“We Will Rock You” – Queen (1977)

Queen’s “We Will Rock You” is marked by its thunderous drumbeats, which have made it a frequent choice for sampling. Eminem’s “Till I Collapse” and Ice Cube’s “When Will They Shoot” feature these massive beats, contributing to the 105 total samples taken from this anthem.

The simplicity yet power of its percussion makes it a favorite for many. While it effectively adds weight to tracks, its overuse might signal a need for a timeout from the sampling roster.

“Fly Like an Eagle” – Steve Miller Band (1976)

Steve Miller Band’s “Fly Like an Eagle” drifts between prog-rock, psychedelia, and mellow vibes, making it a versatile sample choice. Biz Markie’s “Nobody Beats the Biz” and Nas’ “Star Wars” illustrate its broad adaptability, with 108 samples to its name.

Its vast array of musical styles affords producers a rich tapestry to work with. But, given its frequent use, exploring less-trodden paths could invigorate freshness into new tracks.

“When the Levee Breaks” – Led Zeppelin (1971)

The powerful groove and resonant drums in Led Zeppelin’s “When the Levee Breaks” create a dynamic backdrop for many hip-hop tracks. Dr. Dre’s “Lyrical Gangbang” and Beastie Boys’ “Rhymin’ and Stealin’” are among the 124 tracks featuring samples from this song.

Its raw energy and driving beat make it an unbeatable sample choice. Yet, this over-reliance could wear out its impact, necessitating a hiatus to preserve its stronghold in musical innovation.

“School Boy Crush” – Average White Band (1975)

The funky riffs in Average White Band’s “School Boy Crush” have made it a longstanding favorite in the sampling world. Artists like Nas in “Halftime” and Slick Rick in “It’s a Boy” have highlighted its infectious groove, contributing to 125 samples.

Its blend of funk and soulful rhythm offers producers a rich resource. However, its heavy use may indicate it’s time to look elsewhere for musical mining.

“The Big Beat” – Billy Squier (1980)

Billy Squier’s “The Big Beat” failed to make a huge impact on rock radio but became a cornerstone in hip-hop. With 225 samples, including Jay-Z’s “99 Problems” and Run-DMC’s “Jam Master Jammin’,” it’s clear this track struck a chord.

The catchy drum beats and rhythmic hooks have been an endless well of inspiration. Yet, its over-saturation suggests that maybe it’s time to let this track rest and spotlight new sounds.