10 Cinematic Disasters That Left Audiences Cold

10 Cinematic Disasters That Left Audiences Cold | Society Of Rock Videos

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There are movies don’t hit the mark they aim for. Instead, they fly way off target, landing in the category of “so bad, it’s good” or worse, just plain bad. Below is a list of cinematic adventures that veered off course, leaving viewers puzzled, bored, or outright amused for all the wrong reasons.

Savage (1973, 75 min)

“Savage” wanted to be a thrilling ride through danger and excitement. Unfortunately, it ended up as a bewildering journey that even the most daring viewers found hard to follow. The movie tried to pack too much punch in too little time, leaving everyone scratching their heads rather than sitting on the edge of their seats. In the end, it wasn’t just the characters fighting to survive the wild, but the audience trying to make it to the end credits.

99 and 44/100 Percent Dead (1974, 98 min)

With a title that’s a mouthful and just as perplexing as the plot, this movie promised much but delivered little. The story aimed to blend action and intrigue but ended up as a muddled affair that left viewers wondering what they just watched. It’s a lesson in how trying to be too clever with a plot can sometimes backfire, leaving an almost complete disaster in its wake.

Dollars (1971, 121 min)

“Dollars” sounds like it could be a thrilling heist movie filled with suspense and dazzling plot twists. Instead, the only rich thing about it is its ability to confuse everyone who watches it. The plot gets so tangled up in itself, viewers might feel they need a map and compass to navigate through the storyline. In the end, it misses the mark of being a slick caper film and instead becomes a puzzle that no one asked for.

Torture Dungeon (1970, 80 min)

Horror movies are supposed to scare you, but “Torture Dungeon” does it all wrong. It’s more likely to bore you to sleep than to send chills down your spine. The plot is a mess, and the scares are so predictable that you might find yourself yawning rather than screaming. It’s a film that tried to delve into the depths of horror but ended up just scraping the bottom of the barrel.

San Francisco International (1970, 96 min)

“San Francisco International” attempts to take off as a dramatic, action-packed exploration of airport life. Instead, it crashes and burns with its lackluster plot and wooden performances. The movie tries to create tension and excitement but ends up as forgettable as a canceled flight. It’s a clear case of a film that couldn’t quite reach the heights it aimed for, leaving it stranded on the runway of disappointment.

Xenogenesis (1978, 12 min)

This short film manages to feel longer than some full-length features, and not in a good way. “Xenogenesis” aims for the stars with its sci-fi ambitions but ends up lost in space. The concept might intrigue at first, but the execution makes 12 minutes feel like an eternity. It’s an example of how grand ideas need more than just ambition to be successful; they need a coherent plot and engaging storytelling.

Frühling auf Immenhof (1974, 93 min)

This German film tried to capture the essence of spring but ended up leaving audiences cold. “Frühling auf Immenhof” attempts to weave a tale of charm and warmth but struggles with a storyline that meanders like a lazy river. The picturesque setting can’t save the film from its slow plot and lackluster characters. It’s akin to waiting for flowers to bloom but only getting weeds.

The Worm Eaters (1977, 90 min)

Intended to gross out and amuse with its bizarre content, “The Worm Eaters” squirms its way into the annals of movie oddities. This film combines strange humor with even stranger plot points, creating a concoction that’s hard to stomach. It’s a peculiar mix of gross-out gags and off-kilter storytelling that’s sure to turn more stomachs than heads. Watching it might be a dare, but making it through without gagging is the real challenge.

Hercules in New York (1970, 91 min)

Even the demigod strength of Hercules couldn’t lift this movie out of the pit of cinematic misfires. “Hercules in New York” aims for mythological grandeur but lands squarely in the realm of the absurd. The blending of ancient mythology with modern-day New York creates a jarring mix that neither entertains nor enlightens. It’s a bumpy chariot ride through a storyline that even the hero himself couldn’t save.

Something Evil (1972, 73 min)

Attempting to send shivers down your spine, “Something Evil” ends up being frighteningly forgettable. The movie tries to craft a tale of terror but somehow manages to be neither scary nor interesting. The plot stumbles along, failing to grip or thrill, making the film’s title the most ominous thing about it. It’s like walking into a haunted house only to find out the ghosts are on break.

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