Top 10 Beatles Gems Not Written by Lennon-McCartney

When we think of The Beatles, the prolific songwriting duo of Lennon and McCartney often comes to mind. However, Ringo Starr and George Harrison, also made notable contributions to the group’s musical catalogue. Beyond their skills behind their instruiments, Starr and Harrison brought unique songs to the mix, adding depth and variety to the band’s albums.

Octopus’s Garden

“Octopus’s Garden” is one of the playful tracks that showcase Ringo Starr’s songwriting talent and vocal delivery, which was well-suited to lighter, more whimsical content. Featured on the celebrated 1969 album Abbey Road, the song was the second piece written entirely by Starr for the band. The creation of the song was inspired by a trip Starr took where he learned about octopuses and their habit of collecting stones and shiny objects to build gardens. He was fascinated by the idea and turned it into a song that reflects a simple wish for peace and solitude under the sea.

George Harrison contributed to the song by helping Starr with the arrangement, enhancing its melodic appeal. Harrison himself commented on the depth of “Octopus’s Garden,” pointing out its tranquil allure and its ability to resonate deeply with listeners. The song, enveloped in a feeling of serenity, allows the audience to glide into Ringo’s underwater fantasy, characterized by soothing lyrics and a friendly tune. It remains a beloved track for its charm and imaginative qualities.

Don’t Pass Me By

“Don’t Pass Me By” marks Ringo Starr’s first solo songwriting effort featured on a Beatles album. Released on The White Album in 1968, the song highlights Starr’s straightforward lyrical style and knack for catchy, endearing music. Starr had been developing the song for several years after joining the band, reflecting his growth and persistence in songwriting. The track also showcases a distinct country feel, differentiated from much of the Beatles’ other works by its prominent fiddle played by guest musician Jack Fallon, which adds an engaging, rustic texture to the song.

Starr’s excitement about his first solo composition comes through in the energetic vocals and the song’s jaunty rhythm. “Don’t Pass Me By” was a significant personal achievement for Starr, and it offered fans a glimpse into his individual creative expressions. It remains a notable part of the Beatles’ diverse repertoire, demonstrating Starr’s ability to take the lead on a song and leave a memorable mark on the music scene.

Don’t Bother Me

“Don’t Bother Me” holds a special place in the history of The Beatles as George Harrison’s first composition to be included on a Beatles album, making its debut on “With The Beatles” in 1963. This song marked Harrison’s initial foray into songwriting, serving as a declaration of his burgeoning talent and his ability to stand apart from the dominant partnership of Lennon and McCartney.

The song’s creation was initially motivated by Harrison’s desire to prove that he could indeed write songs. What emerged was a track that veered away from the band’s typical love themes, providing a glimpse into Harrison’s introspective and somewhat moody demeanor.

Love You To

Moving onto “Love You To,” which can be found on the groundbreaking album “Revolver” released in 1966, we delve deeper into Harrison’s exploration of Indian music and culture, a passion that significantly influenced much of his later work. This song stands out as one of the first examples of The Beatles incorporating classical Indian instruments into their music, featuring the sitar, tabla, and tambura.

Harrison’s fascination with Indian music was more than superficial; he studied the sitar under the tutelage of Ravi Shankar, a renowned sitar virtuoso, and embraced the spiritual and musical traditions of India with genuine reverence.

Within You Without You

“Within You Without You” stands out in The Beatles’ catalog as a profound exploration of spiritual consciousness and connection. Born from Harrison’s fascination with Indian philosophy and music, this track from the “Sgt. Pepper’s Lonely Hearts Club Band” album serves as a meditative journey through the concepts of unity and the illusion of separation.

Its intricate blend of traditional Indian instruments with Western orchestration creates a hauntingly beautiful soundscape that invites listeners to contemplate deeper truths beyond the material world. Harrison’s ability to introduce such complex themes into popular music highlights his role as not just a musician, but as a bridge between diverse cultural expressions.

Taxman

Opening the “Revolver” album with a biting satire on the British tax system, “Taxman” marked Harrison’s emergence as a songwriter capable of addressing social and political issues with wit and edge. The song’s driving beat and sharp guitar riff complement the lyrics’ critique of the government’s greed, making it as relevant today as it was in 1966.

Harrison’s vocal delivery conveys a sense of frustration yet is delivered with a playful sarcasm that underscores his ability to balance seriousness with the band’s characteristic cheekiness. “Taxman” not only showcases Harrison’s growing confidence as a songwriter but also foreshadows his future endeavors in weaving together music and commentary.

I Me Mine

Featured on the “Let It Be” album, “I Me Mine” is often seen as Harrison’s commentary on the ego and the interpersonal conflicts that were beginning to tear The Beatles apart. The song combines rock elements with a waltz-like interlude, reflecting the dual themes of discord and introspection that Harrison was exploring.

Despite being one of the last songs recorded by The Beatles, “I Me Mine” offers a glimpse into Harrison’s solo work’s evolving sound and thematic depth. It serves as a poignant reminder of the band’s fractured state at the time, with Harrison’s lyrics probing the nature of identity and attachment.

Something

“Something” is frequently hailed as one of the greatest love songs ever written, showcasing Harrison’s ability to craft a sweeping romantic ballad that stands toe-to-toe with any Lennon-McCartney classic. Featured on the “Abbey Road” album, the song’s simple yet profound lyrics, combined with a melody that’s both memorable and moving, capture the essence of deep, enduring love.

Harrison’s emotional depth and maturity as a songwriter shine through, making “Something” not only a highlight of his contributions to The Beatles but also a timeless standard in its own right.

Here Comes the Sun

Considered by many to be Harrison’s optimistic masterpiece, “Here Comes the Sun” is a soothing acoustic delicacy that radiates warmth and hope. Written during a period of personal and professional turmoil, the song reflects Harrison’s relief at the arrival of spring and the promise of brighter days ahead. Its uplifting melody and harmonious vocals offer a gentle yet powerful antidote to the heaviness of life’s challenges.

“Here Comes the Sun” remains one of The Beatles’ most beloved tracks, a testament to Harrison’s gift for creating music that touches the heart and elevates the spirit.

While My Guitar Gently Weeps

With “While My Guitar Gently Weeps,” Harrison weaves a haunting narrative of love and loss, underscored by the powerful imagery of a guitar that weeps for the state of the world. Featuring a guest appearance by Eric Clapton, the song’s emotive guitar solo adds a layer of depth and complexity, elevating it to a profound musical statement on human connection and empathy.

As one of Harrison’s most introspective and moving compositions, it highlights his philosophical perspective and his ability to express universal truths through his music. This track not only showcases Harrison’s exceptional talent but also his deep compassion and concern for the world around him.