10 Criminally Underrated Pete Townshend Songs

Pete Townshend, the guitarist and creative force behind The Who has shaped rock music for over 60 years in his career. Known for his ambitious concept albums and rock operas, Townshend has produced many songs, some of which have not received the attention they deserve. Here, we look back at 10 of Pete Townshend’s most underrated songs that show his talent and range but are often overlooked.

My Baby Gives It Away (Rough Mix, 1977)
This track from the 1977 album Rough Mix is a collaboration between Townshend and Ronnie Lane. This song stands out for its laid-back vibe and honest lyrics, far from the grand rock anthems The Who is known for. While it may not have chart-topping potential, its simplicity and genuine feel make it special. It’s a song that’s perfect for a relaxed listen among friends.

Naked Eye (Odds & Sods, 1974)
“Naked Eye,” from the 1974 compilation Odds & Sods, is one of Townshend’s hidden treasures. The song features powerful lyrics and intense guitar work, creating an emotional rock experience. It builds up to an epic finish, showing Townshend’s ability to craft songs that are both deep and moving. It’s a track that deserves more recognition for its raw energy and emotional depth.

Dogs (Single, 1968)
Townshend released this single in 1968, reaching the #25 spot on the UK charts. Unfortunately, the song didn’t gain much attention afterward. This quirky track came with playful lyrics and a unique rhythm that stood out in The Who’s catalog. It showcases a more experimental side of Townshend’s songwriting that was ahead of its time and an interesting piece that fans should explore.

Tea & Theatre (Endless Wire, 2006)
“Tea & Theatre,” from the 2006 album Endless Wire, is a reflective and emotional song that closes the album beautifully. It is part of a mini-opera where characters Josh and Leila, now grown, look back on their lives. The song’s simplicity and heartfelt lyrics make it a touching conclusion to the album. It highlights Townshend’s strength in storytelling through music.

The Sea Refuses No River (All The Best Cowboys Have Chinese Eyes, 1982)
From Townshend’s 1982 solo album, All The Best Cowboys Have Chinese Eyes, “The Sea Refuses No River” is a standout track that often gets overlooked. Fans can be reminded of Quadrophenia with the track’s big, sweeping sound. However, the song comes with a more modern twist combining thoughtful lyrics with rich instrumentation, showing Townshend’s skill in blending deep themes with powerful music.

The Punk And The Godfather (Quadrophenia, 1973)
“The Punk And The Godfather,” from the 1973 album Quadrophenia, captures the raw energy of The Who in their prime. A great combination of strong synths, driving bass, and Keith Moon’s explosive drumming, this track is a powerful rock anthem. Townshend’s vocals add a unique edge to the song, making it one of the standout tracks on an already great album.

I Am An Animal (Empty Glass, 1980)
“I Am An Animal” from the 1980 album Empty Glass shows a more personal side of Townshend. The song blends rock with pop elements, creating a sound that is both raw and melodic. This track is often more appreciated by fans than some of The Who’s later albums, showing a different side of Townshend’s music that deserves more attention.

Pure And Easy (Who Came First, 1972)
“Pure And Easy” from the 1972 album Who Came First offers a more stripped-down version compared to The Who’s version. It reveals a softer, more thoughtful side of Townshend’s songwriting. While it doesn’t have the full band’s power, its simplicity and heartfelt delivery make it stand out.

Blue, Red And Grey (The Who By Numbers, 1975)
“Blue, Red And Grey” from The Who By Numbers (1975) is a charming song where Townshend plays the ukulele, accompanied by John Entwistle on the French horn. This track is simple and sweet, quite different from The Who’s usual sound. It has an innocent, almost childlike quality that makes it special.

Rael 1 and 2 (The Who Sell Out, 1967)
“Rael 1 and 2,” from The Who Sell Out (1967), gives a glimpse into the ideas that would later shape *Tommy*. The song, though still in a developing phase, contains hints of the themes and musical styles that would become famous in Townshend’s later work. It’s a fascinating track that shows his creativity in the making.