The 10 Most Underrated Songs Of 1975

Programme Name: Lindisfarne’s Geordie Genius: The Alan Hull Story - TX: n/a - Episode: Lindisfarne’s Geordie Genius: The Alan Hull Story (No. n/a) - Picture Shows: **PLEASE CREDIT PHOTOGRAPHER** Alan Hull - (C) Rik Walton - Photographer: Rik Walton

1975 was a strange year in music history. It was a time when rock was ending its golden age and new movements like punk and disco were starting to take the scene. Musicians seemed unsure of what direction to take, but some incredible songs from that year flew under the radar.

Here’s a list of songs that might not have topped the charts in 1975, but they’re still worth a listen today. Each track offers something unique, from powerful lyrics, and groundbreaking music, to fresh perspectives.

“Water No Get Enemy” by Fela Kuti
Fela Kuti is a musical genius who became popular for his electric stage presence and innovative style. But his music can be challenging to access for some. “Water No Get Enemy” is a prime example. The song may be a whole lot of chaotic energy that sounds confusing at first, but it’s also a stunning blend of rhythm, melody, and social commentary.

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“The Next Big Thing” by The Dictators
This proto-punk anthem is a rough and rowdy track that brings youthful energy to 1975’s music scene. While the song’s not polished and doesn’t follow the usual musical rules, it’s what makes it great. “The Next Big Thing” feels like a group of friends just having fun without a care in the world—a perfect preview of the punk attitude that would explode just a few years later.

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“Take Yo’ Praise” by Camille Yarbrough
You might recognize “Take Yo’ Praise” from Fatboy Slim’s famous remix, but the original track has its own magic. Camille Yarbrough’s soulful delivery gives the song a raw power that can’t be replicated. It’s a song in its true, unfiltered form.

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“I Can Help” by Billy Swan
Billy Swan’s “I Can Help” is a quirky blend of 1950s rockabilly and early ‘60s soft rock. Its retro feel, combined with a catchy organ melody, makes it irresistibly charming. It’s one of those feel-good songs you can’t help but smile at, even if it doesn’t fit neatly into any one genre.

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“Squire” by Alan Hull
Alan Hull’s solo work doesn’t get the recognition it deserves, even though his songwriting is often compared to Bob Dylan’s. “Squire” is full of eccentric characters and vivid storytelling, but it’s also oddly overlooked. Maybe it’s too quirky for mainstream tastes, but that’s what makes it so special.

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“When An Old Cricketer Leaves the Crease” by Roy Harper
Roy Harper’s “When An Old Cricketer Leaves the Crease” is a love letter to England and its traditions. The song is about cricket, of all things, but its poetic lyrics and gentle melody make it an unexpected masterpiece. It’s a refreshing break from the usual love songs and pop hits, offering something truly unique.

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“Only You Know” by Dion
By 1975, Dion had moved away from his pop beginnings with The Belmonts, adopting a more mature sound. “Only You Know” retains some of his old theatrical style, but it’s also introspective and soulful. It’s a rare track that blends pop sensibilities with deeper, more reflective lyrics.

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“At Seventeen” by Janis Ian
“At Seventeen” is a timeless anthem for anyone who has ever felt insecure or out of place. Janis Ian’s honest, vulnerable lyrics resonate with listeners of all ages, making this song a crutch for anyone struggling with self-esteem. It’s a song that never goes out of style because its emotions are universal.

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“Diamonds & Rust” by Joan Baez
Joan Baez’s “Diamonds & Rust” is a powerful reflection on love and heartbreak. As Bob Dylan once said, Baez is as tough and independent as they come, and this song proves it. With its raw emotion and poetic lyrics, it’s a standout in Baez’s already impressive catalog.

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“Khala My Friend” by Amanaz
Amanaz’s “Khala My Friend” is a gem from Zambia’s vibrant music scene during a time of political upheaval. The song captures the hope and pain of the era, blending rock, blues, and African rhythms. It’s a haunting track that stays with you long after the music ends.

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