The 5 Most Overlooked Classic Rock Drummers from the 1970s
via San Francisco Sound / YouTube
When discussions turn to classic rock legends, guitarists and lead singers often steal the limelight. However, the backbone of many iconic bands from the 1970s resides with the drummers, those unyielding timekeepers and dynamic showmen who often don’t receive their due credit. This list shines a spotlight on five of the era’s most underrated drummers whose contributions were pivotal to their bands’ sounds and successes.
Michael Shrieve (Santana)
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Michael Shrieve’s work is most notably recognized from Santana’s explosive performance at Woodstock in 1969, but it’s in the decade that followed where his impact truly resonated. As one of the youngest performers at Woodstock, his skills were beyond his years, delivering rhythms that perfectly complemented Santana’s blend of rock and Latin music. His articulate drumming on tracks like “Soul Sacrifice” showcased a technical proficiency and a soulful feel that set the bar for rock percussionists of the time. With Shrieve behind the kit, Santana’s music had a distinctive groove that was both innovative and immersive.
Bill Bruford (Yes, King Crimson)
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Bill Bruford is a name that is sometimes lost among rock’s premier percussionists, yet his influence is undeniable. His career began with the band Yes, but he reached a new level of artistry with King Crimson. Bruford possessed a distinctive approach to drumming, often employing jazz techniques in a rock context. His work is characterized by unusual time signatures and a penchant for musical exploration. Songs like “Heart of the Sunrise” and “Larks’ Tongues in Aspic” illustrate Bruford’s ability to navigate complex arrangements with precision and ingenuity. His drumming wasn’t just about keeping time; it was an integral part of the musical conversation.
Aynsley Dunbar (Frank Zappa, Journey)
Aynsley Dunbar has drummed for a variety of outstanding acts, including Frank Zappa and Journey, proving his versatility across different music styles. Dunbar’s tenure with Zappa’s Mothers of Invention displayed his ability to handle the demanding and often unconventional compositions that Zappa was known for. His work on albums like “We’re Only in It for the Money” demonstrates not just technical skill but an adaptability to any genre. Despite this, Dunbar’s contributions can be overlooked when reflecting on the drum talents of the ’70s. His was a talent that brought a refined and powerful style to every track he played on.
John Weathers (Gentle Giant)
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John Weathers added a distinctive touch to Gentle Giant, a band celebrated for their complex and intricate musical style. His drumming was an essential component of the band’s sound, providing both a solid foundation and a sophisticated flavor. The album “Octopus”, with tracks such as “The Boys in the Band”, is a showcase for Weathers’ adept ability to blend into Gentle Giant’s unique brand of progressive rock. His drumming exhibits a balance of delicacy and strength, an audible indication of his thoughtful approach to percussion. Weathers didn’t just play the drums; he played the music, enhancing the band’s daring compositions with his rhythmic artistry.
Bobby Caldwell (Captain Beyond)
Bobby Caldwell’s work with Captain Beyond is often criminally overlooked when considering the great drummers of the decade. This band, while not as commercially successful as some of their contemporaries, produced music that was both sophisticated and accessible, thanks in large part to Caldwell’s dynamic drumming. Their self-titled debut album is a testament to Caldwell’s talents behind the kit, displaying agility and a natural grasp of complex rhythms. His ability to contribute to and elevate Captain Beyond’s songs is evident, his drumming a cohesive force in the band’s ambitious musical endeavors. Caldwell may not be a household name, but his drumming prowess certainly warrants greater recognition.
