Monstrous Classics: 3 Rock Songs That Stretch Beyond 15 Minutes

In an era of shrinking attention spans and radio edits, there’s something rebellious—and refreshingly immersive—about a song that dares to stretch past the 15-minute mark. For fans of classic rock, especially those who lean into the expansive landscapes of progressive rock, these extended compositions aren’t just songs—they’re journeys.

Some of rock’s most ambitious and enduring tracks clock in well beyond the standard runtime. Far from tedious, these long-form pieces offer evolving musical narratives, unexpected shifts, and emotional depth that shorter songs often struggle to achieve. Below are three essential tracks that showcase the power and artistry of the long song format in classic rock history.

Yes – “The Gates of Delirium” (1974)
Runtime: 21:50
Album: Relayer
One of progressive rock’s most intricate epics, “The Gates of Delirium” by Yes, is a nearly 22-minute composition inspired by Leo Tolstoy’s War and Peace. Released on the band’s 1974 album Relayer, the track unfolds in three distinct movements: an initial vocal section, a sprawling instrumental passage representing the chaos of war, and a closing lament titled “Soon,” which offers a gentle, haunting resolution.

A fascinating anecdote from the recording session adds to the song’s legend: partway through the track, a loud crashing sound can be heard—an unplanned moment caused by a pile of car parts being knocked over in the studio. Rather than re-recording, the band opted to leave the sound in, embracing it as part of the track’s sonic landscape.

Rush – “2112” (1976)
Runtime: 20:33
Album: 2112
Rush’s “2112” is a defining moment in the band’s discography and a cornerstone of progressive rock. Clocking in at just over 20 minutes, the multi-part suite comprises the entire first side of their 1976 album of the same name. With its dystopian sci-fi storyline and dynamic shifts between power chords and melodic passages, “2112” solidified Rush’s reputation as bold conceptual storytellers.

To help promote the record, the band released the opening “Overture” and the high-energy segment “The Temples of Syrinx” as a standalone single, offering listeners a taste of the full piece without compromising its integrity.

Procol Harum – “In Held ’Twas in I” (1968)
Runtime: 17:31
Album: Shine On Brightly
Predating many of the genre’s major works, Procol Harum’s “In Held ’Twas in I” is often cited as one of the first true progressive rock suites. Released in 1968 as the centerpiece of the album Shine On Brightly, the 17-minute composition weaves together multiple movements, blending spoken word, orchestral flourishes, and rock instrumentation into a surreal, genre-defining whole.

While some editions of the album divide the piece into distinct sections, others present it as a single, uninterrupted track—further blurring the line between song and symphony. Despite being lesser known than other prog acts, Procol Harum’s ambitious work deserves recognition as a pioneer in long-form rock.

A Lasting Legacy

Long songs may never dominate streaming charts or pop playlists, but in the world of classic rock, their legacy is secure. These compositions defy conventional structure and commercial limits, embracing complexity, storytelling, and emotional breadth. For listeners willing to invest the time, they offer a unique and deeply rewarding experience—one that proves that sometimes, more really is more.