10 Classic Rock Hits That Were Actually Covers

Rock music has a rich history of artists covering earlier songs and making them their own. Many songs that we associate with famous rock bands were actually written and performed by other artists first. These covers often outshine the original versions, gaining more popularity and earning a special place in music history. Let’s dive into ten classic rock hits that you might be surprised to learn were actually covers.

“Blinded by the Light” – Manfred Mann’s Earth Band

Originally composed by Bruce Springsteen, “Blinded by the Light” didn’t gain much attention until Manfred Mann’s Earth Band transformed it into a rock classic. Springsteen’s version was more subdued, featuring on his debut album with a folk vibe. Manfred Mann added a catchy, keyboard-driven sound that skyrocketed it to the top of the charts, making it more popular than the Boss’s version.

“I Love Rock ‘n’ Roll” – Joan Jett & The Blackhearts

The famous anthem of rock rebelliousness, “I Love Rock ‘n’ Roll,” was not Joan Jett’s original piece. It was first performed by The Arrows in 1975. Joan Jett discovered the song while on tour in England and recorded it with The Blackhearts, turning it into a powerful rock hit. Her version became so popular that it’s often mistaken as the original.

“Cum On Feel the Noize” – Quiet Riot

Slade, a British glam rock band, first released “Cum On Feel the Noize” in 1973. However, it reached new heights of fame when American heavy metal band Quiet Riot covered it a decade later. Their version became an anthem of the ’80s rock scene, showing how a cover can revive an old hit and introduce it to new fans.

“Hound Dog” – Elvis Presley

Elvis Presley’s version of “Hound Dog” is etched into the rock and roll hall of fame, but it was first sung by Big Mama Thornton in 1952. Elvis’ rendition brought a new rockabilly energy to the song, which became a cornerstone of his performing career. Big Mama Thornton’s powerful blues version remains respected but it was Elvis who made it a household name.

“Knockin’ on Heaven’s Door” – Guns N’ Roses

Bob Dylan wrote and performed “Knockin’ on Heaven’s Door” as a folksy tune for the soundtrack of the movie “Pat Garrett and Billy the Kid.” Guns N’ Roses took this classic and turned it into a rock spectacle in 1990. Their version introduced Dylan’s songwriting to a whole new generation, adding epic guitar solos and Axl Rose’s distinctive shrieks.

“You Really Got Me” – Van Halen

Originally a hit by The Kinks, “You Really Got Me” was famously covered by Van Halen in their 1978 debut album. Eddie Van Halen’s revolutionary guitar techniques gave the song a harder, more energetic edge, making it one of Van Halen’s most celebrated tracks. The cover remains a significant example of how technique can redefine a song’s impact.

“Twist and Shout” – The Beatles

The Beatles made “Twist and Shout” famous worldwide, but it was originally recorded by the Top Notes and then popularized by the Isley Brothers. The Beatles’ version was recorded in a single take, with John Lennon’s raw, throat-tearing vocal performance marking a defining moment in the early Beatles era, showcasing their energy and charm.

“Dazed and Confused” – Led Zeppelin

Originally written and performed by Jake Holmes as a folk song, “Dazed and Confused” underwent a transformation under Led Zeppelin. Jimmy Page reworked it into a psychedelic rock epic, full of dramatic guitar riffs and pounding rhythms, after hearing Holmes perform it in New York. This version became a highlight of Zeppelin’s live performances.

“Cocaine” – Eric Clapton

Eric Clapton’s version of “Cocaine” is one of his biggest hits, echoing the conflict and allure described in the song’s lyrics. However, the song was written by JJ Cale, known for his laid-back style and influencing many musicians. Clapton’s cover brought a sharper rock edge and broader exposure to the song, making it a staple in his concert line-ups.

“Respect” – Aretha Franklin

Though now almost exclusively linked to Aretha Franklin, “Respect” was originally written and performed by Otis Redding. Franklin’s rendition became an anthem for civil rights and feminist movements, completely transforming the song’s context and impact. Her powerful voice and added call-and-response sections turned her version into a classic, showcasing her ability to elevate a cover song into a profound cultural statement.