4 Beatles Songs That Tell Complete and Remarkable Stories

Paul McCartney, Saturday 19 April, Centenario Stadium, Montevideo, Uruguay. Out There tour, http://en.wikipedia.org/wiki/Out_There!_Tour including performances at the Movistar Arena in Santiago, Chile (Monday 21 and Tuesday 22), then in Peru, Ecuador and Costa Rica. Repertoire with several Beatles classics, some songs as Macca soloist, and songs from New his 2013 album produced by Mark Ronson, Paul Epworth and Giles Martin. This is the second visit of the former Beatle to Montevideo. His unforgettable debut at Centennial was in 2012, the On The Run tour, included songs from her jazzy album Kisses on the Bottom standards: https://www.flickr.com/photos/jikatu/sets/72157629828048709 Paul McCartney, sábado 19 de abril, estadio Centenario de Montevideo, Uruguay. Gira Out There, http://es.wikipedia.org/wiki/Out_There!_Tour que incluye presentaciones en el Movistar Arena de Santiago de Chile (el lunes 21 y martes 22), y luego en Perú, Ecuador y Costa Rica. Repertorio con varios clásicos de los Beatles, algunos temas como solista de Macca, y también canciones de New, su álbum de 2013 producido por Mark Ronson, Paul Epworth y Giles Martin. Se trata de la segunda visita del ex beatle a Montevideo. Su inolvidable debut en el Centenario fue en 2012, dentro de la gira On The Run, que incluía canciones de su álbum de standards jazzeros Kisses on the Bottom: https://www.flickr.com/photos/jikatu/sets/72157629828048709 The Band: Paul McCartney: Lead Vocals, Bass, Acoustic Guitar, Piano, Electric Guitar, Ukulele. Rusty Anderson: Backing Vocals, Electric Guitar, Acoustic Guitar. Brian Ray:(Backing Vocals, Bass, Electric Guitar, Acoustic Guitar, Tambourine. Paul Wickens: Backing Vocals, Keyboards, Electric Guitar, Percussion, Harmonica. Abe Laboriel, Jr.: Backing Vocals, Drums, Bass, Percussion.

Photo by Jimmy Baikovicius from Montevideo, Uruguay, CC BY-SA 2.0, via Wikimedia Commons

During the 1960s, listeners paid close attention to every lyric The Beatles sang. That level of engagement allowed the band to experiment freely with different songwriting styles, including the occasional narrative-driven track.

The four songs below each tell a complete story from beginning to end, demonstrating that—on top of all their other talents—the Beatles were skilled musical storytellers.

“I Saw Her Standing There”

Producer George Martin once called “I Saw Her Standing There” a “potboiler,” meaning a song that immediately captures the listener’s attention. That quality made it the perfect opening track for the band’s first U.K. album, Please Please Me. Over time, the term “potboiler” has also come to describe a gripping story, which fits this song as well. Paul McCartney quickly establishes the setting—a dance—and the central dilemma: the narrator’s hope of getting to know the girl who caught his eye. In just a few verses and a bridge, the two characters evolve from strangers into a steady couple.

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“Norwegian Wood (This Bird Has Flown)”

This song marked a major artistic leap for The Beatles. Its mature subject matter abandoned the innocence of their earlier hits, and John Lennon provides only sparse details, leaving the listener to fill in the gaps. The mention of the woman’s “Norwegian wood” décor seems insignificant at first, but it becomes crucial later when Lennon implies that the narrator burns down the room after being left alone. In that sense, the song also serves as the band’s first track with a twist ending.

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“Ob-La-Di, Ob-La-Da”

The White Album gave The Beatles space to experiment, and they tried several different arrangements before settling on the lightly reggae-inspired version of “Ob-La-Di, Ob-La-Da.” McCartney’s bandmates often said they felt too much effort went into shaping the song, but its storyline is a cheerful variation on the boy-meets-girl theme found in “I Saw Her Standing There.” This time, however, the narrative follows the couple into their domestic life, complete with an amusing role reversal caused by a lyric mix-up McCartney made during recording—one he decided to keep for its unexpected charm.

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“Rocky Raccoon”

Like many British artists of the era, The Beatles viewed American country music with a mix of affection and amusement, often producing songs that bordered on parody. “Rocky Raccoon” fits this playful tradition. Paul McCartney creates a Western-style tale that blends tragedy with humor, such as the scene in which a drunken doctor collapses onto the table instead of helping the wounded protagonist. The cartoonish name “Rocky Raccoon” immediately signals that the story isn’t meant to be taken too seriously, yet McCartney’s writing still manages to pull listeners in enough that Rocky’s downfall feels genuinely affecting.

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